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march 2009

3.2.09
Another bit of good luck while I was working at home last Friday: I got an email in the afternoon from the Decemberists annoucing that a new show at Merriweather Post Pavillion had been added to their upcoming tour, and that the presale would open immediately and only be open to people who were on their email list. So I clicked on the link, went through a short registration process, and got tickets in the center section, 7th row. As an added bonus, the concert happens to be on our anniversary, and the Decemberists are probably my wife's favorite band. We've seen them in a lot of venues over the past few years, but these will definitely be the closest seats we've ever had.


3.3.09
Tonight is the first meeting of the Atomic Music Club, a monthly discussion group hosted by Benn of Atomic Books. The idea is that one or two people each month make a mix CD of their choosing, people pick it up from Atomic Books a few weeks before the next meeting, and then we all get together to chat about it. Benn made the first CD, and I only just picked it up over the weekend, and it's pretty eclectic:

    1. "Teenagers"——Ed Schrader
    2. "Fuck Everything"——Jack Logan
    3. "La La La"——Deep Throat Soundtrack
    4. "All Pink on the Inside"——Bernard Purdie
    5. "The Lions and the Cucumber"——Manfred Hubler and Siegfried Schwab
    6. "Zapata"——John Barry
    7. "Je t'aime moi non plus"——Serge Gainsbourg
    8. "Viens"——Francoise Hardy
    9. "Kauoha Mai"——Sol Ho'opi
    10. "C'est la Mort"——Stereo Total
    11. "Heavy Dub Mix"——EPakSa
    12. "Moonlight on Vermont"——Captain Beefheart & the Magic Band
    13. "BTK Blues"——Pink Nasty
    14. "Deep Red Bells"——Neko Case
    15. "Look at Your Game, Girl"——Charles Manson
    16. "Lillian"——Hangnail Phillips & Bullette
    17. "Not on Top"——Herman Düne
    18. "Cool"——Pylon
    19. "Fuck Me Around"——The Winks
    20. "I Wanna Holler (But the Town's Too Small)"——Detroit Cobras
    21. "All Grown Up"——Gore Gore Girls
    22. "She Lives In (A Time of Her Own"——13th Floor Elevators
    23. "Things I Wonder"——The Shaggs
    24. "Efficiency"——Exxon Singers
    25. "Bedroom ETA"——Earles and Jensen

A few of these I recognize, a few seem thrown in for kitsch value, and a few are new to me but I like a lot, particularly the tracks from Stereo Total (a French progenitor of CSS, or at least that's what this one track sounds like), Hangnail Phillips (this song would fit in well on Magnetic Fields' 69 Love Songs), and the Winks (this is not the Winks that you will find if you look up this band name on iTunes——this is apparently a now-defunct Texas punk band).

I'm curious to see how the discussion will go, especially because I'm pretty apprehensive around groups of strangers and I'm betting that 1) the only person I'll know there will be Benn, and 2) everyone else there will know at least a couple of people besides Benn. I tend to get pretty quiet and observant in situations like these, but even if I'm a little uncomfortable, I'm willing to give it at least two or three tries.



3.4.09
Unfortunately, a last-minute situation changed my plans and I wasn't able to attend the Atomic Music Club last night. But I've asked Benn to save me copies of next month's CDs, and next time I stop by Atomic Books I'm hoping he'll have a few minutes to chat about the first meeting so I can get a feel for how the discussion went.


3.5.09
Got around to listing my extra tickets for the Pogues and Modest Mouse on eBay finally. The demand for the Pogues seems to have dropped for a number of reasons: this is their third annual tour hitting the same series of venues, the show I have tickets for is on a weeknight, and it's the middle of three shows (the third show was announced after my show sold out and as of now there are still tickets available for that third show). I was hoping that the fact that the Pogues are the quintessential Irish band and the show I'm seeing is on St. Patrick's Day would up the value a bit, but it doesn't look that way based on previous completed sales.

Modest Mouse is a different story, and I'm hoping to get a decent profit from those. I'll likely end up just about breaking even on the Pogues, but I think there's a good chance that the pair of Modest Mouse tickets I'm selling will end up covering the cost of the two I'm using.

I used to have mixed feelings about buying extra tickets to a popular show to sell them at a profit, but I've come to terms with that now. There have been a few times when I've had an extra ticket for one reason or another and I've given it away to someone for free, and I figure the karma more or less works out at the end of the day.


3.6.09
I think I'm entering another mini-Los Campesinos phase, so of Montreal will get a little break. But I'm guessing it's not going to be for very long.


3.9.09
It's hard to tell who has the most creative song titles: of Montreal ("Heimdalsgate Like A Promethean Curse", "Beware Our Nubile Miscreants", "Voltaic Crusher/Undrum to Muted Da") or Los Campesinos ("Documented Minor Emotional Breakdown #1", "Clunk-Rewind-Clunk-Play-Clunk", "This Is How You Spell, "HAHAHA, We Destroyed the Hopes and Dreams of a Generation of Faux-Romantics""). For now I'm giving the edge to of Montreal, but Los Campesinos only have a couple of albums and a couple more EPs under their belts; give them a full career and I think they'll give Kevin Barnes a run for his money.


3.10.09
I'm seriously considering buying the new U2 album. Does that make me a bad person?


3.11.09
Ticket sales all went as expected——virtually no profit on the Pogues, and enough profit on the Modest Mouse to cover the cost of me going to the show. It's nice that the Modest Mouse show is on a Friday night so I don't have to worry about getting up for work the next morning, but the Pogues are playing on a Tuesday, and I'm ancient enough now that I'm going to have to take a vacation day on Wednesday to recover.


3.12.09
They changed the frequency of the Atomic Music Club to twice a month instead of once, but I'm probably still only going to go once a month. The next meeting also happens to fall on St. Patrick's Day, and since I'm going to be in DC watching the Pogues that night, I'll miss that meeting too. Here's the tracklist for the second mix CD though:

    1. "Coke 2"——The Who
    2. "Leaving Here"——The High Numbers
    3. "The Humid Press of Days"——Camper Van Beethoven
    4. "Ooh Las Vegas"——Gram Parsons
    5. "I Got to Tell You"——Dr. Octagon
    6. "Descrambler"——Chester Stacey
    7. "Jingling Baby"——LL Cool J
    8. "GBV Philosphy 101"——Guided By Voices
    9. "Harnessed in Slums"——Archers of Loaf
    10. "Public Service Announcement"——Jay-Z and Dangermouse
    11. "Political Song for Michael Jackson to Sing"——Minutemen
    12. "The Rat Patrol and DJs"——Centro-Matic
    13. "Walter's Theme"——R.E.M.
    14. "Real Cool"——Grand Buffet
    15. "Swan Blues"——King Pleasure
    16. "Magic Johnson"——Red Hot Chili Peppers
    17. "Before They Make Me"——The Rolling Stones
    18. "What's What"——Riverboat Gamblers
    19. "Hayday"——The Replacements
    20. "Hey Aardvark (Live)"——Guided By Voices
    21. "Cut You Loose"——T-Model Ford
    22. "Panes from Windows"——Superchunk
    23. "Soldier's Grin"——Wolf Parade
    24. "Devil Doll (Demo)"——X
    25. "Cowboy Song"——Thin Lizzy

This mix seems less full of forced whimsy and willful obscurity than the first one——I know a lot more of the songs, and when it's an artist that I don't own any of, I at least recognize the name and know something about them.



3.13.09
Headed to see Modest Mouse at the 9:30 tonight. I'm hoping that the more intimate setting and no recently released album to push will result in a set that pulls mostly from their back catalog, but I'm realistically expecting about half the songs to be from their pre-"Float On" period. Still, it will be cool to see them in a small venue again.


3.16.09
I'm glad I went to the Modest Mouse show, but that might be my last one. I still dearly love their music, especially all the stuff through the 2001 sessions for The Moon and Antarctica and its related releases, but the overly-complicated, overly-populated studio efforts of their last two albums have carried over to their live show. They had no fewer than six musicians onstage for the entire show, including two drummers, and somehow they managed to sound less supple, less layered, less nuanced when I saw them with their original three-person lineup in 2000.

Anyway, here's the setlist:

"The View"
"Interstate 8"
"Dashboard"
"Here It Comes"
"Tiny Cities Made Of Ashes"
"King Rat"
"Custom Concern"
"3rd Planet"
"The Whale Song"
"Black Cadillacs"
"Broke"
"We've Got Everything"
"Fly Trapped In A Jar"
"Blame It On The Tetons"
"Paper Thin Walls"
"Bury Me With It"
"The Good Times Are Killing Me"

Encore
"Satin In A Coffin"
"Satellite Skin"
"Parting Of The Sensory"

I was really psyched that they played both "Interstate 8" and "Broke", two of my favorite songs from pretty far back in their catalog (I would have been satisfied if I had only heard one of them), and there were also three new songs, at least a couple of which are likely to show up on their new EP that's coming out later this year.

But like I said, I'm not sure if I would go out of my way to see them live again——it just didn't have the magic of the first time I saw them live, and even their older songs had that too-pristine sheen that's become the hallmark of their last two records applied to them in the live setting. Some of it might have been the 9:30's sound system——sometimes I think they forget they're a rock club and not a hip hop club, because the bass sound is enormous and the treble can be piercing——but then again, I've heard plenty of bands play there and sound great.

Oh, and a note to opening band Kinky: you guys are talented musicians, but I'm just not digging your songs. And it's criminal how you're wasting your lead singer with so many instrumentals——the crowd definitely engages with you more when he's on the mic standing at the edge of the stage.



3.17.09
Pogues tonight, third show in the last four years. I don't think I'm ever going to get tired of this, but I know it's going to end someday, so I'm enjoying it while it lasts.


3.18.09
The Pogues were amazing as usual, and Shane seemed to be in better shape than he was for the past two shows (last year and three years ago). He looked thinner, he didn't leave the stage for nearly as often or nearly as long, and he remained standing during his time onstage (last year, he left for extended breaks, and when he was singing, he often was seated or semi-seated).

We tried a different spot this year——on the upper level on the railing on the left side instead of the right side——and the sound didn't seem as good as in previous years, but I'm wondering if that's just the way the 9:30 is sounding this year after experiencing similar issues at the Modest Mouse show last week.

I figured that it would be rowdier than usual on St. Patrick's Day, but it wasn't too bad. There was a weird guy next to Julie who would try mildly to hit on her whenever his girlfriend would leave, and who took up a LOT of space, but he only lasted about half the show. And there was also a strange incident where a girl came up beside my friend, pushed him off the railing, spilled beer on him, accidentally dumped out two of her three cups of beer while attempting to place them on the ground, and then hit me on the arm for no apparent reason before wandering off. I think she was so drunk that she thought we were her friends, and when she realized we weren't (after I asked her what the fuck she was doing when she hit me), she stumbled off in search of them.

But it really wasn't too bad for a night when a lot of the audience arrived drunk and were intent on making sure they stayed that way. And it was a good mix of songs again this year: "Bottle of Smoke", "Turkish Song of the Damned", "The Body of an American", "Dirty Old Town", "The Old Main Drag", "A Pair of Brown Eyes", and, appropriately for St. Patrick's Day, "Streams of Whiskey". No "Fairytale of New York" this time, but honestly, I'm happy as long as I get "Bottle of Smoke".


3.19.09
There's this site I like that shows the 50 most recent images posted to LiveJournal (usually incredibly NSFW, because there's no one overseeing the content——it's just a raw feed of whatever is being posted), and yesterday one of the images was white text on a black background that said simply: "NEED NEW MUSIC". So I'm inspired to go out and get some of the albums that have been building up on my list of music I'd like to get.


3.20.09
I give up. I just heard the Unicorns used as backing music on a commercial for fucking crayons. I either need to stop getting irritated every time a band I like licenses their music for advertising, or at least learn to be thankful when they're shilling for Crayola or some other mostly non-threatening brand/product instead of the Army or McDonald's or beer or something (not that some of the bands I like haven't been guilty of participating in marketing for those companies). And Crayola has also been using tracks from Dan Deacon and Animal Collective recently, too, so at least the Unicorns are in good company.


3.23.09
Picked up some new discs over the weekend: Cursive's Mama, I'm Swollen, Beirut's March of the Zapotec (which is really two EPs, one featuring Zach Condon and Beirut playing with traditional Mexican bands, and one under the Realpeople pseudonym that's more of a solo electronic thing), Frightened Rabbit's The Midnight Organ Fight, the Black Lips' 200 Million Thousand, and U2's No Line On the Horizon.

When I asked on this site a couple of weeks ago if buying the new U2 would make me a bad person, a friend of mine wrote back "No, it just makes you a sucker." He's probably right, but after a listen or two, I'm really liking the guitar sound on most tracks——very Unforgettable Fire-like. Not that this record is going to be anywhere near as good as that disc (my favorite U2 album hands down), but it's nice to have a positive initial impression after How To Dismantle an Atomic Bomb, which I barely remember aside from the iPod-pushing "Vertigo" single.


3.24.09
I've gone through all the stuff I purchased over the weekend once or twice, and so far Frightened Rabbit is my clear favorite. Something about them reminds me of the National, and they also remind me a bit of fellow Scots the Reindeer Section (who are actually a loose collective featuring members of Belle & Sebastian, Arab Strap, and Snow Patrol).

And as for my friends U2: I think the first half of No Line On the Horizon is a lot stronger than the second. But I don't know that any of it is great, and I'm worried that this record's going to be as forgettable as their last one. I'm coming to the conclusion that if you take all their output from the past decade, you might be able to cobble together a decent record with the best tracks, but even that would take some serious thinking.

I don't know. They haven't made a great record since their first huge hit, The Joshua Tree, and even that wasn't their career peak. Maybe it's time to give up on them. It's one thing to lose interest during the Zooropa/Pop period, but All That You Can't Leave Behind and No Line On the Horizon feel like genuine attempts to return to their heyday with Brian Eno and Daniel Lanois (and even occasionally Steve Lillywhite) producing. But it's just not working.


3.25.09
Hoping to pick up a few of the things that they didn't have in stock at my normal record store (things that I believe will never be in stock if they aren't now), I stopped by Baltimore's preeminent indie record store, the Sound Garden, on the way to pick up my brother from the airport last night. My music-loving friends have been telling me about this place for a while, but it's pretty out of the way for me——I live outside the city and work on the northside, and it's pretty far south (on the northern side of the harbor, but right on the water).

It was a cool store, but I only found one of the things that wasn't at my local store last week——The Pains of Being Pure at Heart's eponymous debut. I picked up the Decemberists' The Hazards of Love and Dan Deacon's Bromst, both newly released, but they didn't have either of Boy Least Likely To's CDs, nor did they have Cymbals Eat Guitars' Why There Are Mountains. Still, with the three purchases I made yesterday and the five from last week, I'm pretty stocked up on new music for a while, so if I end up having to order the ones I couldn't find from Amazon, I'll have plenty to occupy me until they arrive.


3.26.09
The new Decemberists seems a bit overwrought, but I'm hoping it will grow on me. There are definitely some bright spots (notably "The Rake's Song", which is one of my favorite Decemberists' tracks ever), and most of the songs where Colin is the main singer seem pretty decent, but I'm concerned about the heavy use of guest vocalists, especially in terms of how it will impact their live show.


3.27.09
I'm pretty happy about The Pains of Being Pure at Heart's debut record——there's some Jesus and Mary Chain, some Ride, maybe some Lush, and even a couple of flashes of Los Campesinos (which is probably due to shared influences between the two bands). It does exactly what it's supposed to do: take you back to the late 80s/early 90s British music scene. And I'm not going to hold that against them, because the songs are pretty great.


3.30.09
There was supposed to be a presale last Friday for the Shins at the 9:30 in May, so when a friend of mine IM'd me on Thursday afternoon to ask the best way to snag them, I told her she should go ahead and register at Tickets.com and then go to the page for the show on the 9:30 site about five minutes before the presale was supposed to begin and just hit refresh like mad until the sale started, then have her credit card number ready to copy and paste just in case they ask for it even though you're logged in.

She started to do this, and just for fun she did a search on the Shins to see where else they were playing. The 9:30 date came up in the list, so she clicked on it, and it said she could buy tickets. I thought this was a mistake, but she completed her transaction, so I quickly logged in to the site myself and bought my tickets.

I thought at first I'd gotten the date of the presale wrong, but if that were the case, then the show should have been long sold out by 3 in the afternoon if they had gone on sale at 10 that morning. And sure enough, when I checked the email from the 9:30 when I got home from work, it said the presale wasn't supposed to start until the next morning.

I got pretty lucky there, especially because the next morning I was called into a 9 a.m. meeting at the last minute and I wasn't back to my desk until a few minutes after 10, by which time the show had sold out. I've never seen Tickets.com kick off a presale before they were supposed to, but even if that was a one-time mistake, I'm going to be checking the site the day before from now on.


3.31.09
I really like the first half of Dan Deacon's new record, Bromst, but I'm still figuring out the second half. I have a feeling I'll always be able to do without the a capella (if you can call loops of human voices a capella) "Wet Wings", but the songs that come after that one seem pretty solid (although "Slow With Horns/Run for Your Life" could be a bit shorter).